FASHION WAS MY FIRST LANGUAGE.
FLOWERS BECAME MY CANVAS.
My journey began in fashion in the 1980s, taking me from Orchard Road to London, Paris and Milan, where I experienced some of the world's most influential fashion houses firsthand as a Fashion Merchandiser for a Singapore based Company.
Those years shaped my eye for design, detail, colour, texture and originality.
Today I translate that fashion language into flowers.
STEP INTO THE WORLD OF FASHION IN FLOWERS.
Collect your flowers. Explore the Studio. Capture the moment.

THE PRINT THAT REFUSES TO DISAPPEAR
Some fashion trends come and go.
Leopard never really left.
Once considered daring, provocative and even a little dangerous, leopard has evolved into something far more powerful: a fashion classic with attitude. In 2026, the print continues to appear across fashion, from statement coats and dresses to accessories, proving that its appeal lies in its ability to transform an otherwise simple look into something unforgettable.
But leopard has never been about simply wearing a pattern.
It is about confidence.
It is about knowing that you have entered the room - and being quite happy for everyone to notice.
At Fashion in Flowers, we asked ourselves:
What happens when that attitude leaves the wardrobe and enters the world of flowers?
The answer is our leopard inspired print corset vase. (La Dolce Vita)
Because flowers don't always have to be delicate.
Sometimes, they should have a little bite.

THE RETURN OF MORE
For years, fashion told us to edit.
Quiet luxury. Minimalism. Neutral palettes. Understatement.
Now the mood has shifted.
Fashion is becoming louder, more expressive and far less interested in playing it safe. Prints collide. Proportions become exaggerated.
Colour demands attention. Embellishment returns. And individuality matters more than following a formula.
This is maximalism - but not simply for the sake of excess.
The new maximalism is intentional.
It is about combining things that shouldn't necessarily work together and making them feel completely right.
At Fashion in Flowers, this is where our imagination takes over.
We approach flowers the way a fashion designer approaches a collection: colour becomes fabric, texture becomes embellishment, shape becomes silhouette and unexpected details become the finishing touch.
A flower arrangement can be beautiful.
But why stop at beautiful?
We want it to be memorable.
Because in a world where everyone is trying to look effortlessly tasteful, sometimes the most sophisticated statement is simply:
more.

THE EVERYDAY FABRIC GETS A COUTURE MAKEOVER
Denim has never really left fashion.
But for Autumn/Winter 2026, it is being looked at differently.
Once associated with rebellion, youth culture and everyday dressing, denim is stepping beyond the jeans-and-T-shirt uniform and taking on a more sophisticated role. On the AW26 runways, designers have experimented with proportion, structure, colour, embellishment and unexpected silhouettes - turning one of fashion's most familiar fabrics into something considerably more directional. (Vogue 7)
The message is clear:
Denim doesn't have to be casual.
It can be sculptural.
It can be dramatic.
It can be luxurious.
And that is what makes its return interesting.
At Fashion in Flowers, we look at fashion differently. We don't simply reproduce what we see on the runway. We ask what happens when the idea behind a fashion trend is translated into flowers.
What would denim look like if it wasn't fabric?
What would its blue tones, rugged texture, rebellious attitude and unmistakable character become in the language of flowers?
This is where fashion undergoes its transformation.
DENIM → FLOWERS.
The familiar becomes unexpected.
And something we thought we knew suddenly looks completely different.
We created JEAN PAUL - C1.






